![]() While in recent years, home recording artists try to mix on their own, in many cases, they get frustrated for not getting the sound they really wanted. How to get that punchy bass drum. Mixing a song requires knowledge, experience and a lot of work. For simplicity, as many plug-ins are available to be added on Protools/Cubase/Logic, we prepared our generic templates using only the plug-ins that are provided with original Protool/Cubase versions, this is so you will not find yourself unable to enjoy the MIX TEMPLATE solution due to not owning a specific plug-in. Our MIX TEMPLATE are currently available for Protools (available at ), Cubase (available at ), and Logic Pro X (available at ). For any special tracks that you feel are not addressed within the template you purchased, contact us and we will be happy to assist you and provide a more custom solution for your specific needs. ![]() We strongly recommend not to 'over' fine-tune, you may find yourself overdoing it. It will most likely sound completely amazing already when using the MIX TEMPLATE as it is, but obviously it all depends on the quality of the original recorded track, which may require your own fine-tuning. As part of MIX TEMPLATES, we have prepared in advance for each channel in the template, the relevant sound preset that best copes with that recorded track and to get as close as possible to the perfect end result for that channel. Have no mistake, each song is different and each recorded sound used in your mix needs to be treated differently. Instead of trying to go through the mixing process from scratch, and getting amateur results, with MIX TEMPLATES your starting point will be from a whole different level, you will go directly to focusing on fine-tuning, and enjoy best practices and methodologies in sound engineering already embedded to your song. While MIX TEMPLATE is a generic template per each genre and style as chosen, it provides you with the flexibility to adjust every single parameter in the template to both bring your own touch to your mix, and address specific changes that you feel are required to get your perfect personalized mix. Access to this knowledge and experience means spending money and investing a lot of time and effort, you will need guidance and lots of experience and you may get frustrated along the way. MIX TEMPLATE is a great solution to getting immediate access to how sound professionals manage their mix, you will get instant visibility to how each channel is engineered, how each compressor, EQ, EFX and more, are tailored in order to get to the professional sound that you are so eagerly seeking.Īfter adding your recorded tracks to the template, you will instantly hear a professional sound for your mix, it will immediately sound amazing with that magic touch to your music. ![]() You recorded your song and now have all your files and channels ready for mix, now the question is, how to mix? what comes first? which plug-ins to use? how to use them? in what order? Learning how to mix requires knowledge, expertise and experience. These have been engineered by professionals for different genres, all offered here by us. I understand why Scheps doesn't use pre fader sends, because then he's getting a copy of his unaffected audio sent to rear buss right? So I def don't want to do that, any insights are welcome thanks in advance.MIX TEMPLATE is an easy to use ProTools/Cubase/Logic project file, which has been pre-engineered by sound experts, to provide the end user with a ready-made template to deliver the aspired sound, by simply adding the relevant recorded tracks to the relevant channels in the template.īy choosing our MIX TEMPLATES solution, You get a full ProTools session file or Cubase project file or Logic Pro X project file, ready with a variety of channels, all pre-arranged and prepared with the appropriate plug-ins, EQs, compressors, limiters, effects, groups and more. Realized: I think what I can do is route all instruments going to the rear buss to an aux, and that auxes fader will be at 0 so it should respond correctly even when I max out the sends, still not enough, tried turning the input of the compressor up as well, but that doesn't work because it causes me to have to turn the track volumes sent to the rear buss down, which leaves me where I started. This is great, watched a few times, took notes, currently mixing with the template, one issue I'm having is, when my sends to the rear buss are post fader, they don't hit it hard enough, for ex: I'm getting healthy audio levels from my guitars, but since they are turned down to -8, -6, -12, guitar solo turned down to -27, and again, although the faders are turned down, the audio signal I'm getting is just right.īut since post fader sends react to the actual numeric value that the volume faders are set to, I get just a teensy bit of audio signal from my sends, not enough to hit the rear buss hard enough for compressor to react at all.
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